Las óleos de todo Aert de Gelder
Choice ID Image  Painting (From A to Z)       Details 
1384 Christ on the Mount of Olives  Christ on the Mount of Olives  
90414 Die Judenbraut  Die Judenbraut   1684 Medium oil on canvas Dimensions 139 x 163 cm (54.7 x 64.2 in) cyf
87639 Esther and Mordechai writing  Esther and Mordechai writing   Oil on canvas. Date 1685(1685) cyf
83730 Esther and Mordechai writing the second letter of Purim  Esther and Mordechai writing the second letter of Purim   Esther and Mordechai writing the second letter of Purim. Oil on canvas. Date 1685(1685) cjr
2726 Judith and Holofernes  Judith and Holofernes   1495 National Gallery of Art, Washington DC
74602 Junger Mann  Junger Mann   c. 1702 Oil on canvas 57 X 47 cm cjr
76137 Junger Mann  Junger Mann   Deutsch: um 1702 English: c. 1702 Medium Oil on canvas Dimensions Deutsch: 57 ?? 47 cm cyf
88940 King David  King David   c. 1683 (1680-1685) Medium oil on canvas Dimensions 109.5 x 114.5 cm (43.1 x 45.1 in) cjr
70624 Rest on the Flight into Egypt  Rest on the Flight into Egypt   Medium Oil on canvas Dimensions 109.9 x 118.8 cm
83969 Selbstbildnis als Zeuxis  Selbstbildnis als Zeuxis   Date 1685(1685) Medium Oil on canvas Dimensions 142 x 169 cm (55.9 x 66.5 in) cjr
87820 Selbstbildnis als Zeuxis  Selbstbildnis als Zeuxis   1685(1685) Medium Oil on canvas Dimensions 142 x 169 cm (55.9 x 66.5 in) cyf
70644 Tamar and Judah  Tamar and Judah   Medium Oil on canvas Dimensions 64 ?? 88 cm
68378 The Baptism of Christ  The Baptism of Christ   Technique Oil on canvas Dimensions 48.3 ?? 37.1 cm
82798 The temple entrance  The temple entrance   1679 Medium Oil on canvas Dimensions 70.7 x 91 cm (27.8 x 35.8 in) cyf
Aert de Gelder
Dutch 1645-1727 Dutch painter and draughtsman. He was the son of a wealthy Dordrecht family and probably became a pupil of Samuel van Hoogstraten in 1660. Apparently on the advice of van Hoogstraten, de Gelder moved to Amsterdam and entered Rembrandt workshop, possibly c. 1661. It is commonly assumed that he stayed there about two years. He was Rembrandt last pupil. After completing his apprenticeship, de Gelder returned to Dordrecht, where he worked for the rest of his long career. Considering that de Gelder was active for more than half a century, his output of just over 100 paintings seems low, probably because he was financially independent. Of those paintings accepted as by him, only 22 are dated, creating considerable problems in establishing a chronology.



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